burmester uelzenn – burmestter audio per ubrmester surround back burmestre phono ie paul burmester tst cd end burmester joockey club brumester preisliste. Burmester showed its C Concept—a huge aluminum-bodied loudspeaker with an MTM on the front panel and four side-mounted woofers. Dez. Size: 87 KB 19th Dec Grado | Size: KB 6th Dec Audia- Flight | Size: KB 28th Nov AVM | Size: 73 KB.

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Even from the first second of music, the listener is well aware of a splendidly silky refinement and an ability to uncover the tiniest of details. Blumenhofer showed its FS1 two-way horn-loaded loudspeaker with Air Tight electronics. In other words, rather than sound rough when cold, the Burmesters are a little polite, if massively informative.

We wish more high-end firms had such an attitude. Still, that plasma tweeter was terrific. The sound was beautiful. I didn’t get to hear preislishe imposing number with a shipping weight of over one tonbut Robert reported that it sounded wonderful.

There’s also a straight-through connection designed to be used with the front channel outputs of a surround processor, allowing the to be integrated into a home cinema system, no shortage of balanced XLR line level inputs, andf even twin headphone outputs. If burjester can afford it, buy it right now. On a second visit, after the Magico team had given up on analog sources and switched over to digital, the speaker sounded much warmer and fuller in the power range burmdster a viola da gamba recording, with enough body and burmestsr to make for a very attractive sound with plenty of air and ambience.

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Bass textures are rendered just as light a touch as subtle vocal inflections. The speakers sounded far more like what I’m used to: Obviously, a Best of Show contender, but…at a price. There are good reasons why this speaker is so popular. On the Stokowski Rhapsodies LP there was way too much bite on the strings, producing an orchestral sound that was unforgivably bright.

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Every switch and control knob on the Burmester feels exquisitely manufactured, and is chunkily precise in use. Judging from Chopin Impromptu No.

A truly great system. This was a very very good sound. Our Verdict An awesome price for an awesome bit of kit. But its soundstage was phasey, with a hole in the middle, due as it was at CES to too wide separation between the speakers. If you got it, flaunt it.

Our sample was fitted with an on-board digital-to-analogue converter, burmestef other options include an unbalanced line level input and moving-magnet or moving-coil phono stages. But this year the presentation was better than that.

As well as its design, Burmester takes servicing seriously, too — as far as possible, it will maintain every unit it has made during its year history, and upgrades can usually be retro-fitted, too. However, when the volume went up, on Ms. Not only were there more products on display—imagine a collision between CEDIA and CES in their prime—but the sound was, for the most part, better too. Prwisliste is a superb speaker from a company that richly deserves distribution in the U.

The Living Voice Vox Palladium and Vox Elysiana more-than-a-million-dollar system including electronics and wiring, which only goes to prove, to quote Roy Gregory who reviewed these gorgeous thingsthat life is no fairer in high-end audio than it is anywhere else.

Given time, though, that character fades, leaving just exceptional transparency and smoothness. Driven by Vitus electronics and sourced by a Transrotor turntable, the RC7 MkII was absolutely superb on my Deano disc, producing the most fool-you realistic vocals of the show.

Even a quick glance will tell you that — visually at least — brumester Burmesters are serious high-end audio bling. Its lovely sound might have made the Top Five had I been able to listen to more familiar analog sources. The internal layout is are logical and packed with enviably high quality components, and the preamp has some novel features, not least of which are a self-balancing phono stage, designed to handle any channel inequalities in phono cartridges, and a module slot, which provides a line input as standard but can accept a range of plug-ins to expand the flexibility.

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The British loudspeaker company Living Voice has been bringing its ultra-expensive horn systems to Munich year in and year out, and its offerings have always sounded good. Refinement takes a notable step up and the sense of muscularity, particularly in bass frequencies, gets better.

Munich High End Loudspeakers $20k and Up | The Absolute Sound

For their near-magical turnaround and the job that Cyrill Hammer and Joe Lavrencik did in turning themthe M Pros earn the last slot. The sound is large scale and fluid from the get-go, too. Burmester showed its C Concept —a huge aluminum-bodied loudspeaker with an MTM on the front panel and four side-mounted woofers. I stopped to pay my respects to Mr. The speaker was gorgeous on a four-piece jazz ensemble recording, with excellent color and dynamics.

Extremely open and boxless, it sounded seamless and alive on jazz quartet, in spite of the fact that it was using a DSP crossover and room correction.

The speaker uses a new amplifier and midrange driver—both clearly improvements. Though sources were digital, the new Gauder was quite neutral in balance with lifelike presence on voice and well-defined deep bass. Raidho also showed its D4. The result is a system that has all the extension, color, smoothness, bloom, power, pace, speed, focus, and definition you could possibly ask preialiste, without any of the coloration, roughness, or discontinuity of typical horn-loaded speakers.

However, it fell down on a James Taylor vocal, where it sounded ill-focused and preislistw sucked out at crossover. The is derived from the company statement preamp, which was launched all the way back in Still, this was quite a realistic presentation in spite of the weirdish imaging.

It sounds good too, delivering far greater dynamics and detail than our Apple Macbook can manage.