Home · Henri Dutilleux Piano Sonata. Henri Dutilleux Piano Sonata. February 2, | Author: Josué González Rivera | Category: N/A. DOWNLOAD PDF – 3MB. Henri Dutilleux was one of the most important French composers of the Henri Dutilleux numbered as Op. 1 his Piano Sonata (). This page lists all sheet music of Piano Sonata by Henri Dutilleux ().

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Victims of an Exclusion Zone? Ainsi la nuit Sonatine for Flute and Piano.

Henri Dutilleux and Maurice Ohana: But his most remarkable work of that era is the string quartet Ainsi la Nuit InDutilleux wrote the music for the ballet Le Loup.

Correspondances Deux sonnets de Jean Cassou Le temps l’horloge.

Piano Sonata (Dutilleux) – Wikipedia

Soonata its cello counterpart, it is an essential addition to the instrument’s 20 th century repertoire. Conversations with Claude Glayman. Henri Dutilleux Composer Arthur Ancelle pf. The last movement starts with an imposing Choral in 3 2 that suggests a four-voice polyphony. He also spnata the wish to write more chamber music, a genre which he felt he had neglected. It is one of the most important additions to the cello repertoire of the 20th century.

May 22, – Paris, France Henri Dutilleux was one of the most important French composers of the second half of the 20 th century, producing work in the tradition of Maurice Ravel, Claude Debussy, and Albert Rousselbut in a style distinctly his own.

May 22, – Paris, France. Although Dutilleux had been active as a composer for ten years when he wrote his piano sonata, he viewed it as his Opus djtilleux, the first work that he considered up to his mature standards.


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Dutilleux Piano Sonata No 1 |

Gramophone products and those of specially selected partners from the sonataa of music. In his own words:. January 22, – Angers, France Died: As an independent composer, Dutilleux always refused to be associated with any school.

Jonas Vitaud positions each prelude within an all-Liszt group. Gramophone’s expert reviews easier than ever before. Skip to main content. It is bithematic and classical in structure, with an ample first theme while the second one derives from the former.

This is particularly obvious from an “external” point of view i. He achieved this by using a strings section without violins and violas ddutilleux thus consisting only of the lower-register instruments: A different section of the orchestra dominates each of the first four movements dutllleux the fifth brings them all together for the finale.

In ternary A-B-A form, it is also sparser and more pensive than the other two. Variation II features an early example of “fan-shaped phrases”, a device Dutilleux would use frequently in his later works. It consists of four monothematic movements and has a perfectly symmetrical structure: Most of his works have a dreamlike, highly poetic quality, which makes them relatively more accessible than those of many other post-World War II composers.

The piece combines two concerns typical of Dutilleux’s mature works: In the mid’s, Dutilleux met Mstislav Rostropovich who commissioned him to write a cello concerto. His music also contains echoes of jazz as can be heard in the double bass introduction to his First Symphony and his frequent use of syncopated rhythms.


Macmillan,vii, Henri Dutilleux: Henri Dutilleux Composer Jonas Vitaud pf.

Piano Sonata (Dutilleux)

Rather, the smaller piamo acts as mirror or a ghost for the bigger one, sometimes playing similar or complementary lines, sometimes contrasting ones.

He renounced most of the works he composed before it because he did not believe them to be representative of his mature standards, considering many of them to be too derivative to have merit. It begins in 4 8 with some meter changes later on. It is characterized by carillon-like sonorities that are created by the overlapping of low and high sustained notes. Piano sonatas compositions Compositions by Henri Dutilleux.

The opening Allegro con moto starts in 2 2 but often changes meter. Henri Dutilleux’s music was often influenced by art and literature, such as by the works of the djtilleux Vincent van Gogh, poet Charles Baudelaire and novelist Marcel Proust.

While he always paid attention to the developments of contemporary music and incorporated some serialist techniques into his own compositions, he also denounced the more radical and intolerant aspects of the movement.

In all, these releases are valuable for the Dutilleux selections, less so for the Liszt and Chopin.